Interplanetaries: The Complete Interplanetary Tales of Clark Ashton Smith

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Black Wings of Cthulhu: Tales of Lovecraftian Horror

From the depths of R'lyeh come twenty-one brand-new, utterly terrifying, and thoroughly entertaining tales of Lovecraftian horror and the macabre Taking their inspiration from works by Lovecraft himself, prominent writers such as Caitlin R. Kiernan, Brian Stableford, Ramsey Campbell, Michael Shea, Darrell Read more

The End of the Story: The Collected Fantasies, Vol. 1 (Collected Fantasies of Clark Ashton Smith)

The first of five volumes collecting the complete stories of renowned “weird fiction” author Clark Ashton Smith. “None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is Read more

Clark Ashton Smith (1893–1961) is best known for creating exotic worlds of fantasy, such as the lost continent Zothique, set in the far future, the arctic realm of Hyperborea, and the medieval domain of Averoigne. It is less widely known that Smith was a pioneer in science fiction, as his tales appeared extensively in such pulp magazines as Wonder Stories and Amazing Stories and had a marked influence on the science fiction of his day.

Mars was a favored locale for several significant tales, including the cosmic horror masterpiece “The Vaults of Yoh-Vombis.” “Seedling of Mars” is one of several tales in this volume that broaches the distinctive subgenre of “green horror”—horror that results from deadly animated plants. This motif first found expression in Smith’s early prose poem “The Flower-Devil,” and he utilized it in such tales as “Vulthoom,” “The Demon of the Flower,” and others.

The remote planet Xiccarph is the setting for two tales, “The Maze of the Enchanter” and “The Flower-Women.” One of Smith’s most expansive tales, “The Monster of the Prophecy,” is set on Antares, while the late story “Phoenix” is grimly apocalyptic in its setting in the far future, with most of the Earth’s inhabitants killed off.

Clark Ashton Smith’s mastery of a prose-poetic idiom lends a distinctive flavor to his interplanetary tales. Far from being naively optimistic adventures into the depths of space, they exhibit a rueful doubt as to the place of human beings in an immense and hostile universe.

This volume, edited by leading Clark Ashton Smith scholar Ronald S. Hilger, contains an illuminating preface by Nathan Ballingrud.

The Atrocity Engine (Custodians of the Cosmos Book 1)

Men in Black meets Hellraiser in this rollicking mash-up of urban fantasy and cosmic horror from four-time Bram Stoker Award-Winning author Tim Waggoner.

Creatures from dark dimensions infesting your home? Demonic beings trying to drive you insane? Alien gods attempting to destroy your universe?

Just call Maintenance.

This underpaid and overworked secret organization is dedicated to battling forces that seek to speed up Entropy and hasten the Omniverse’s inevitable death.

Neal Hudson is a twenty-year veteran of Maintenance. A surveyor who drives through the streets of Ash Creek, Ohio constantly scanning for the deadly energy known as Corruption. Since the death of his previous partner, Neal prefers to work alone, and he’s not happy when he’s assigned to mentor a rookie.

But they better learn to get along fast.

The Multitude, a group of godlike beings who seek to increase Entropy at every opportunity, are creating an Atrocity Engine. This foul magical device can destroy the Earth, and they don’t care how many innocent lives it takes to build it. (Spoiler alert: It’s a lot!)

Just another day on the job…

NecroTek (The Necrotek Series)

From New York Times bestselling author Jonathan Maberry, NecroTek is a gripping sci fi thriller full of ghosts, Gods, and a battle for the soul of humanity.

Neither cosmic philosopher Lars Soren, hotshot pilot Bianca Petrescu, nor the high priestess Jessica McHugh—Lady Death herself—can say quite where in the galaxy they are. But after an experiment gone horribly wrong, one thing is clear: Asphodel Station isn’t in orbit around Jupiter any longer. Worse, the monsters that live out here—ancient eldritch beings thought only to exist in stories and nightmares—have now been alerted to Earth’s existence.

Their army of Shoggoths is coming for us next.

Humanity’s only hope for survival lies on the surface of the alien world of Shadderal, where a ghost named Lost, the last of an ancient race, still haunts the vast plains of the Field of Dead Birds. But hope has a cost. Lost tells Soren about ancient derelict spacecraft awaiting on Shadderal, shapeshifting machines that blend ultra-advanced technology with the dark powers of necromancy. These ships might just be nimble enough to defend mankind against the coming invasion.

But there’s a catch: they can only be piloted by the dead.

As human starfighters fall in battle, their spirits can be called back from death to pilot these ghost ships of a fallen race. But will this new necromantic technology—NecroTek—allow humanity to stand against the vast armies of the Shoggoths? And even if it can, is the war to save the human race worth the cost of its pilots’ immortal souls?

The Void

In the deepest reaches of space, on a ship that no longer exists, six travelers stare into the abyss . . . and the abyss stares back.

Man has finally mastered the art of space travel and in a few hours passengers can travel light years across the galaxy. But, there’s a catch—the traveler must be asleep for the journey, and with sleep come the dreams. Only the sleeper can know what his dream entails, for each is tailored to his own mind, built from his fears, his secrets, his past . . . and sometimes his future.

That the dreams occasionally drive men mad is but the price of technological advance. But when a transport on a routine mission comes upon an abandoned ship, missing for more than a decade, six travelers—each with something to hide—discover that perhaps the dreams are more than just figments of their imagination. Indeed, they may be a window to a reality beyond their own where shadow has substance and the darkness is a thing unto itself, truly worthy of fear.

The Nonesuch and Others

The Nonesuch and Others features a new Brian Lumley hero, the Man With No Name. As stated in the introduction, the Man With No Name “is just an innocent bystander who happens to be standing by in the wrong place at the wrong time: a witness to terrifying occurrences, monstrous events, who can never be one hundred percent positive that the things he has experienced are real. And why not? Because a man who sees pink elephants might as easily see just about anything.”

Neither hero nor anti-hero, the Man With No Name is narrator of the three stories in this collection, but in The Nonesuch he’s at least seen to be brave if not actually heroic. However, “if you the reader were confronted by the bizarre, inexplicable nonesuches whose paths tend to cross his in the following stories…well, how brave would you be?”

Stories included in this collection:
The Thin People
Stilts
The Nonesuch

The Burrowers Beneath (Titus Crow)

The Burrowers Beneath (Titus Crow)
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The Burrowers Beneath is the first book in the Titus Crow series from bestselling author Brian Lumley

The Titus Crow novels are adventure horror, full of acts of nobility and heroism, featuring travel to exotic locations and alternate planes of existence as Titus Crow and his faithful companion and record-keeper fight the gathering forces of darkness wherever they arise.

The menaces are the infamous and deadly Elder Gods of the work of H.P. Lovecraft. Chthulu and his dark minions are bent on ruling the earth–or destroying it. A few puny humans cannot possibly stand against these otherworldly evil gods, yet time after time, Titus Crow defeats the monsters and drives them back into the dark from whence they came.

Hero of Dreams

Something vital is missing from David Hero’s comfortable, ordinary existence. one day is much like the next, simple, predictable…boring.

But the nights! Each night David Hero finds himself transported to a marvelous world where brave men and women battle terrible creatures possessed of cruel, dark powers.

Despite his fears, the Dreamworlds tempt David, drawing him farther and farther from the waking world. Here he finds noble warriors; beautiful, loving women; and challenges almost greater than he can imagine.

The House of Cthulhu: Tales of the Primal Land

The House of Cthulhu is classic Lovecraftian horror from one of the masters of the form, British Fantasy Award-winner Brian Lumley.

Readers are introduced to the weird and wonderful world of Theem’hdra, an island continent of wonders and terrors, where brave men die terrifying deaths, awe-inspiring sorcerers hurl powerful magic at each other, and monsters abound.

The volcanic eruption that created the island of Surtsey in 1967 also revealed a long hidden cache of documents that told the fantastic history of Theem’hdra as written by the sorcerer Teh Atht. Building on translations begun by the scholar Thelred Gustau-who vanished under mysterious, some say magical, circumstances-Brian Lumley brings the saga of the Primal Land to readers of today.

Here, the wizard Mylarkhrion-most powerful of the terrible magicians who walked the earth in those long-ago days-battles sorcerers jealous of his knowledge, power, and wealth. His own apprentice, thinking he knows all of his master’s secrets, challenges him-but Mylarkhrion has one final trick up his sleeve . . . . When the assassin Humbuss Ank, who specializes in killing wizards, makes Mylarkhrion his target, he avoids or destroys nearly all of the sorcerer’s traps, forcing Mylarkhrion to a final, desperate gamble for survival. But even Mylarkhrion has a weakness, a lust for power that drives him to summon the Great One, Cthulhu, and so call doom upon himself!

The fabled riches of the House of Cthulhu draw thieves and warriors from throughout the civilized-and uncivilized lands, but none escape with so much as a single gemstone, for they discover that Cthulhu’s House is not a temple but a dwelling-place. Surely the Elder God lives there still, waiting for an unwary person to open the portal between his world and ours . . .

The Taint and Other Novellas

Prior to the first American publication of Brian Lumley’s ground-breaking, dead-waking, best-selling Necroscope in 1988 – the first novel in a long-lived, much-loved series – this British author had for 20 years been earning himself something of a reputation writing short stories, novellas, and a series of novels set against H. P. Lovecraft’s cosmic Cthulhu Mythos backdrop

. A soldier in 1967, serving in Berlin with the Royal Military Police, Lumley jump-started his literary career by writing to August Derleth, the then-dean of macabre publishers at his home in Sauk City, Wisconsin, telling of his fascination with the Mythos, and purchasing books by the Old Gentleman of Providence, RI. In addition, he sent a page or two of written work allegedly culled from the various forbidden or black books of the Mythos. Suitably impressed, the master of Arkham House invited Lumley to write something solid in the Mythos as a possible contribution to a new volume he was currently contemplating, to be titled – what else but? – Tales of the Cthulhu Mythos.

And as might well be imagined, that set everything in motion. Forty years have passed since then and a good many words of Mythos fiction written, including critically acclaimed and award-nominated work, stories that have appeared in prestigious magazines such as Fantasy & Science Fiction, and hardcover volumes from publishers all over the world from the USA to China and the United Kingdom to Russia. But while Lumley’s novels are all currently available, many of them in hardcover format, his Mythos short stories and novellas have until now remained uncollected.

Here in this volume are found the novellas; the future companion volume will contain the short stories. And thus the very best of Brian Lumley’s works in this sub-genre, including such recent tales as “The Hymn” and “The Taint”, are collected and presented for the first time in audio format…