“In upstate New York, in the woods around Woodstock, Dutchman’s Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true.
When Abe and Dan, two widowers who have found solace in each other’s company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir.
It’s a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.”–Publisher.
Strange things exist on the periphery of our existence, haunting us from the darkness looming beyond our firelight. Black magic, weird cults and worse things loom in the shadows. The Children of Old Leech have been with us from time immemorial. And they love us…
Donald Miller, geologist and academic, has walked along the edge of a chasm for most of his nearly eighty years, leading a charmed life between endearing absent-mindedness and sanity-shattering realization. Now, all things must converge. Donald will discover the dark secrets along the edges, unearthing savage truths about his wife Michelle, their adult twins, and all he knows and trusts. For Donald is about to stumble on the secret… …of The Croning. From Laird Barron, Shirley Jackson Award-winning author of The Imago Sequence and Occultation, comes The Croning, a debut novel of cosmic horror.
The first of five volumes collecting the complete stories of renowned “weird fiction” author Clark Ashton Smith. “None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer.” —H. P. Lovecraft Clark Ashton Smith, considered one of the greatest contributors to seminal pulp magazines such as Weird Tales, helped define and shape “weird fiction” in the early twentieth century, alongside contemporaries H.P. Lovecraft and Robert E. Howard, drawing upon his background in poetry to convey an unparalleled richness of imagination and expression in his stories of the bizarre and fantastical.
The Collected Fantasies series presents all of Smith’s fiction chronologically. Authorized by the author’s estate and endorsed by Arkham House, the stories in this series are accompanied by detailed background notes from editors Scott Connors and Ron Hilger, who in preparation for this collection meticulously compared original manuscripts, various typescripts, published editions, and Smith’s own notes and letters
. Their efforts have resulted in the most definitive and complete collection of the author’s work to date. The End of the Story is the first of five volumes collecting all of Clark Ashton Smith’s tales of fantasy, horror, and science fiction. It includes all of his stories from “The Abominations of Yondo” (1925) to “A Voyage to Sfanomoë” (1930) and an introduction by Ramsey Campbell. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.
Soon to be the major motion picture Greyhound, a WWII naval thriller of “high and glittering excitement” (New York Times) from the author of the legendary Hornblower series The mission of Commander George Krause of the United States Navy is to protect a convoy of thirty-seven merchant ships making their way across the icy North Atlantic from America to England. There, they will deliver desperately needed supplies, but only if they can make it through the wolfpack of German submarines that awaits and outnumbers them in the perilous seas. For forty eight hours, Krause will play a desperate cat and mouse game against the submarines, combating exhaustion, hunger, and thirst to protect fifty million dollars’ worth of cargo and the lives of three thousand men. Originally published as The Good Shepherd and acclaimed as one of the best novels of the year upon publication in 1955, this novel is a riveting classic of WWII and naval warfare from one of the 20th century’s masters of sea stories.
Orson Scott Card’s Ender’s Game is the winner of the Nebula and Hugo Awards
In order to develop a secure defense against a hostile alien race’s next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew “Ender” Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn’t make the cut—young Ender is the Wiggin drafted to the orbiting Battle School for rigorous military training.
Ender’s skills make him a leader in school and respected in the Battle Room, where children play at mock battles in zero gravity. Yet growing up in an artificial community of young soldiers Ender suffers greatly from isolation, rivalry from his peers, pressure from the adult teachers, and an unsettling fear of the alien invaders. His psychological battles include loneliness, fear that he is becoming like the cruel brother he remembers, and fanning the flames of devotion to his beloved sister.
Is Ender the general Earth needs? But Ender is not the only result of the genetic experiments. The war with the Buggers has been raging for a hundred years, and the quest for the perfect general has been underway for almost as long. Ender’s two older siblings are every bit as unusual as he is, but in very different ways. Between the three of them lie the abilities to remake a world. If, that is, the world survives.
Ender’s Game is the winner of the 1985 Nebula Award for Best Novel and the 1986 Hugo Award for Best Novel.
The beginning of the sweeping Aubrey-Maturin series. “The best sea story I have ever read.”—Sir Francis Chichester This, the first in the splendid series of Jack Aubrey novels, establishes the friendship between Captain Aubrey, R.N., and Stephen Maturin, ship’s surgeon and intelligence agent, against a thrilling backdrop of the Napoleonic wars.
Details of a life aboard a man-of-war in Nelson’s navy are faultlessly rendered: the conversational idiom of the officers in the ward room and the men on the lower deck, the food, the floggings, the mysteries of the wind and the rigging, and the roar of broadsides as the great ships close in battle.
The once-utopian Chasm City – a domed human settlement on an otherwise inhospitable planet – has been overrun by a virus known as the Melding Plague, capable of infecting any body, organic or computerized. Now, with the entire city corrupted – from its people to the very buildings they inhabit – only the most wretched, grim sort of existence remains.
And it is through this city that security operative Tanner Mirabel must pursue the object of his vendetta: a lowlife postmortal named Argent Reivich. But as Reivich keeps slipping through the cracks of Chasm, Tanner will be taken far beyond the mere settling of a score – to come face to face with a centuries-old atrocity that history would rather forge.
Miguel de Ruyter is a man with a past. Fleeing the ‘wolves’ – the xenocidal alien machines known as Inhibitors – he has protected his family and community from attack for forty years, sheltering in the caves of an airless, battered world called Michaelmas.
The slightest hint of human activity could draw the wolves to their home, to destroy everything … utterly. Which is how Miguel finds himself on a one-way mission with his own destructive mandate: to eliminate a passing ship, before it can bring unwanted attention down on them.
Only something goes wrong. There’s a lone survivor. And she knows far more about Miguel than she’s letting on . . . Ranging from the depths of space to the deeps of Pattern Juggler waters, from nervous, isolated communities to the ruins of empire, this is a stealthy space opera from an author at the top of his game.
