From World Fantasy Lifetime Achievement Award winner Michael Moorcock comes the first book in his famous Elric of Melniboné series, brought to vivid new life with stunning illustrations.
In one of the most well-known and well-loved fantasy epics of the 20th century, Elric is the brooding, albino emperor of the dying Kingdom of Melnibone. With Melnibone’s years of grandeur and decadence long since passed, Elric’s amoral cousin Yrkoon sets his eyes on the throne. Elric, realizing he is his country’s best hope, must face his nefarious cousin in an epic battle for the right to rule.
Elric of Melnibone is the first in Michael Moorcock’s incredible series, which created fantasy archetypes that have echoed through the genre for generations. The beautiful, vivid illustrations bring new life to the story and are sure to captivate fans, new and old.
The award-winning sword and sorcery classic that introduced Fafhrd and the Gray Mouser, from a Grand Master of Science Fiction and Fantasy.
First in the influential fan-favorite series, Swords and Deviltry collects four fantastical adventure stories from Fritz Leiber, the author who coined the phrase “sword and sorcery” and helped birth an entire genre.
In “Induction,” in the realm of Nehwon, fate brings young prince Fafhrd and apprentice magician the Gray Mouser together to mark the beginning of a loyal and lifelong friendship. Consumed by his wicked mother’s enchantments, Fafhrd finds freedom by pursuing the love of a beautiful actress in the Nebula and Hugo Award–nominated “The Snow Women.” Studying sorcery under a great wizard in a land where it is forbidden, Mouse crosses the thin line between white and black magic to avenge a great wrong in “The Unholy Grail.” And in the Nebula and Hugo Award–winning novella “Ill Met in Lankhmar,” Fafhrd and the Gray Mouser disguise themselves as beggars to infiltrate the Thieves’ Guild—only to pay a horrible price for their greed when they come face-to-face with a monstrous evil.
The book that was adapted in Blade runner film
A masterpiece ahead of its time, a prescient rendering of a dark future, and the inspiration for the blockbuster film Blade Runner By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can’t afford one, companies built incredibly realistic simulacra: horses, birds, cats, sheep. They’ve even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and “retire” them. But when cornered, androids fight back—with lethal force. Praise for Philip K. Dick “The most consistently brilliant science fiction writer in the world.”—John Brunner “A kind of pulp-fiction Kafka, a prophet.”—The New York Times “[Philip K. Dick] sees all the sparkling—and terrifying—possibilities . . . that other authors shy away from.”—Rolling Stone
Cult classic of cyberpunk literature
Conan only novel written by Howard as weird tales magazine where he published most of his work asked only for short stories
Takes place when Conan is about forty-five, during his reign as King of Aquilonia, and follows a plot by a group of conspirators to depose him in favor of Valerius, heir to Conan’s predecessor Numedides, whom he had slain to gain the throne. To accomplish this they resort to necromancy, resurrecting Xaltotun, an ancient sorcerer from the pre-Hyborian empire of Acheron. With his aid the Aquilonian army is defeated by that of the rival kingdom of Nemedia and occupied. Conan, captured, is slated for execution until the sympathetic slave girl Zenobia risks her life to free him.
Conan’s quest to retrieve the Heart of Ahriman in order to defeat the wizard and regain his throne takes him through all the lands of Hyboria…
In a meteoric career that spanned a mere twelve years, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. From his fertile imagination sprang some of fiction’s most enduring heroes.
Yet while Conan is indisputably Howard’s greatest creation, it was in his earlier sequence of tales featuring Kull, a fearless warrior with the brooding intellect of a philosopher, that Howard began to develop the distinctive themes, and the richly evocative blend of history and mythology, that would distinguish his later tales of the Hyborian Age. Much more than simply the prototype for Conan, Kull is a fascinating character in his own right: an exile from fabled Atlantis who wins the crown of Valusia, only to find it as much a burden as a prize.
This groundbreaking collection, lavishly illustrated by award-winning artist Justin Sweet, gathers together all Howard’s stories featuring Kull, from Kull’ s first published appearance, in “The Shadow Kingdom,” to “Kings of the Night,” Howard’ s last tale featuring the cerebral swordsman.
The stories are presented just as Howard wrote them, with all subsequent editorial emendations removed. Also included are previously unpublished stories, drafts, and fragments, plus extensive notes on the texts, an introduction by Howard authority Steve Tompkins, and an essay by noted editor Patrice Louinet.
Praise for Kull “Robert E. Howard had a gritty, vibrant style–broadsword writing that cut its way to the heart, with heroes who are truly larger than life.”—David Gemmell
“Howard’s writing seems so highly charged with energy that it nearly gives off sparks.”—Stephen King
“Howard was a true storyteller–one of the first, and certainly among the best, you’ll find in heroic fantasy. If you’ve never read him before, you’ re in for a real treat.”—Charles de Lint “
For stark, living fear . . . what other writer is even in the running with Robert E. Howard?”—H. P. Lovecraft
Winner of the Nebula Award for Best Novel • Discover the novel that launched one of science fiction’s most beloved, acclaimed, and awarded trilogies: Kim Stanley Robinson’s masterly near-future chronicle of interplanetary colonization.
“A staggering book . . . the best novel on the colonization of Mars that has ever been written.”—Arthur C. Clarke
For centuries, the barren, desolate landscape of the red planet has beckoned to humankind. Now a group of one hundred colonists begins a mission whose ultimate goal is to transform Mars into a more Earthlike planet. They will place giant satellite mirrors in Martian orbit to reflect light onto its surface.
Black dust sprinkled on the polar caps will capture warmth and melt the ice. And massive tunnels drilled into the mantle will create stupendous vents of hot gases. But despite these ambitious goals, there are some who would fight to the death to prevent Mars from ever being changed.
The first of five volumes collecting the complete stories of renowned “weird fiction” author Clark Ashton Smith. “None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer.” —H. P. Lovecraft Clark Ashton Smith, considered one of the greatest contributors to seminal pulp magazines such as Weird Tales, helped define and shape “weird fiction” in the early twentieth century, alongside contemporaries H.P. Lovecraft and Robert E. Howard, drawing upon his background in poetry to convey an unparalleled richness of imagination and expression in his stories of the bizarre and fantastical.
The Collected Fantasies series presents all of Smith’s fiction chronologically. Authorized by the author’s estate and endorsed by Arkham House, the stories in this series are accompanied by detailed background notes from editors Scott Connors and Ron Hilger, who in preparation for this collection meticulously compared original manuscripts, various typescripts, published editions, and Smith’s own notes and letters
. Their efforts have resulted in the most definitive and complete collection of the author’s work to date. The End of the Story is the first of five volumes collecting all of Clark Ashton Smith’s tales of fantasy, horror, and science fiction. It includes all of his stories from “The Abominations of Yondo” (1925) to “A Voyage to Sfanomoë” (1930) and an introduction by Ramsey Campbell. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.
