Author: C.L. MOORE

The Mask of Circe

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The Mask of Circe
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A psychiatrist travels to a world of magic and gods in this take on “Jason and the Argonauts” from the Hugo Award–nominated author of Earth’s Last Citadel.

Jay Seward remembers a former life in a land of magic, gods, and goddesses—a time when he was Jason of Iolcus, sailing in the enchanted ship Argo to steal the Golden Fleece from the serpent-temples of Apollo. But one night the memories become startlingly real, as the Argo itself sails out of the spectral mists and a hauntingly beautiful voice calls: “Jason . . . come to me!”

And suddenly he’s on the deck of the Argo, sailing into danger and magic . . .

“A fantasy in the grand tradition of Merritt and the other giants.” —Arthur Leo Zagat, author of the Tomorrow series

Praise for Henry Kuttner
“One of the all-time major names in science fiction.” —The New York Times

“A neglected master.” —Ray Bradbury, author of Fahrenheit 451

Northwest Smith

Northwest Smith
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Meet the iconic space outlaw who “could be Han Solo’s grandfather,” in these stories by a pioneer of Golden Age science fiction (SF Signal).

First published in Weird Tales in the early 1930s, C.L. Moore’s Northwest Smith stories, especially “Shambleau,” were hailed as some of the most imaginative and vivid science fiction stories ever to come out of the golden age of sci-fi. At a time when women were heavily underrepresented in the genre, Moore was among the first to gain critical and popular acclaim, and decades later was inducted into the Science Fiction and Fantasy Hall of Fame.

Northwest Smith, now recognized by many as the archetypal space smuggler and gunslinger, is an adventurer in the classic sense of the word, and these thirteen stories chronicle the bizarre dangers, interstellar wonders, and titillating romances that captured the imagination of a generation.

The Dark World

The Dark World
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One of the earlier example of what is no known as “portal fantasy”

World War II veteran Edward Bond’s recuperation from a disastrous fighter plane crash takes a distinct turn for the weird when he encounters a giant wolf, a red witch, and the undeniable power of the need-fire, a portal to a world of magic and swordplay at once terribly new and hauntingly familiar. In the Dark World, Bond opposes the machinations of the dread lord Ganelon and his terrible retinue of werewolves, wizards, and witches, but all is not as it seems in this shadowy mirror of the real world, and Bond discovers that a part of him feels more at home here than he ever has on Earth.

Doomsday Morning

Doomsday Morning
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A classic, post-apocalyptic vision of America created by C. L. Moore, an undisputed master of science fiction’s golden age.

In the wake of a nuclear war, the totalitarian system known as Comus has restored order in a shattered America. Comus controls every aspect of American life, from communications to transportation to law enforcement, but cracks are beginning to show: rumors of a rebellion in California are brewing, and Comus’s leadership is aging. History is at a crossroads, and the man who will decide the outcome is a washed-up actor named Howard Rohan.

Leading a troupe of theatre players to perform in the heart of rebel territory, Howard’s true mission is to gather intelligence on a device that could bring down Comus. But Rohan finds himself slipping between his roles as a double agent and supposed revolutionary sympathizer, to the point where even he isn’t sure where he stands. As America edges closer to its reckoning, Rohan will need to decide who he’s been lying to: the rebels, Comus, or himself.

“A finely wrought dystopic vision where an oppressive future government utilizes communication networks to spread its tentacles across the United States.” —Science Fiction and Other Suspect Ruminations

“It need hardly be mentioned at this late date what a gloriously fine writer Moore was . . . she combined elegant yet colorful prose with a distinctive emotional flair and one helluva imagination.” —Fantasy Literature

Earth’s Last Citadel

Earth's Last Citadel
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Four WWII combatants travel to a distant and dangerous future in this novel by “two of the most revered names from [science fiction’s] Golden Age” (SFReviews.net).

During World War II, four bitter enemies are pulled forward a billion years in time by a master being from an alien galaxy. They arrive on a dying Earth—to Carcasilla, Earth’s last citadel—where the mutated remnants of humanity are making their final stand against the monstrous creations of a fading world.

Thrust in the middle of this desperate struggle for survival, the last humans must put aside their differences and stop the looming Armageddon.

Praise for Henry Kuttner
“One of the all-time major names in science fiction.” —The New York Times

“A neglected master.” —Ray Bradbury, author of Fahrenheit 451

“Kuttner is magic.” —Joe R. Lansdale, author of The Thicket

Jirel of Joiry (Golden Age Masterworks)

Jirel of Joiry
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Published: 2019-04-04
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Jirel of Joiry is a character created by C.L. Moore one of the only women writing pulp swod and sorcery stories in the golden age of weird tales magazine where her adventures was printed alongside those of Robert E. Howard Conan the barbarian, Clark Ashton Smith Averoigne stories, and H. P. Lovecraft Cthulhu Mythos weird fictions

Jirel is the red-headed proud and beautiful ruler of her own domain  somewhere in medieval France.

This book contain all six of her stories

With her red hair flowing, her yellow eyes glinting like embers, and her face streaked with blood, Jirel is strong, fearless, and driven by honor. The fierce, proud, and relentless commander of warriors, standing tall above her enemies and simmering with rage, Jirel bids farewell to the world of treacherous men and walks through a forbidden door into Hell itself in pursuit of freedom, justice, and revenge. These are the classic tales of blood and honor that catapulted C.L. Moore into the legendary ranks of such acclaimed writers as Robert E. Howard and Edgar Rice Burroughs in the golden age of sword and sorcery. First published in the magazine Weird Tales in the 1930s, Moore’s fantastic medieval adventures are heightened by a savage, romantic vision that helped define the genre, earning her recognition as a Grand Master for lifetime achievement by the World Fantasy Convention.