‘Nick Harkaway novels are electric’ Patrick Ness, author of A MONSTER CALLS ‘Cross-genre brilliance’ William Gibson, author of AGENCY ‘Captivating from start to finish’ The Big Issue Cal Sounder is a detective working for the police on certain very sensitive cases. So when he’s called in to investigate a homicide at a local apartment, he is surprised at first to see that the victim appears to be a rather typical techie. But on closer inspection, he finds the victim is over seven feet tall. Clearly, he is a Titan – one of this dystopian, near-future society’s genetically-altered elites. There are only a few thousand Titans worldwide, all thanks to Stefan Tonfamecasca’s discovery of the controversial T7 genetic therapy, which elevated his family to near godlike status. A dead Titan is big news . . . a murdered Titan is unimaginable. But Titans are Cal’s specialty. In fact, his ex-girlfriend, Athena, is a Titan. And not just any Titan – she’s Stefan’s daughter, heir to the Tonfamecasca empire. As Cal digs deeper into the murder investigation, it soon becomes clear he’s on the trail of a crime whose roots run deep into the dark heart of the world. Titanium Noir is a tightly woven, intricate tale of murder, betrayal, and vengeance.
Genre: Noir Fiction
Do Androids Dream of Electric Sheep?
The book that was adapted in Blade runner film
A masterpiece ahead of its time, a prescient rendering of a dark future, and the inspiration for the blockbuster film Blade Runner By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can’t afford one, companies built incredibly realistic simulacra: horses, birds, cats, sheep. They’ve even built humans. Immigrants to Mars receive androids so sophisticated they are indistinguishable from true men or women. Fearful of the havoc these artificial humans can wreak, the government bans them from Earth. Driven into hiding, unauthorized androids live among human beings, undetected. Rick Deckard, an officially sanctioned bounty hunter, is commissioned to find rogue androids and “retire” them. But when cornered, androids fight back—with lethal force. Praise for Philip K. Dick “The most consistently brilliant science fiction writer in the world.”—John Brunner “A kind of pulp-fiction Kafka, a prophet.”—The New York Times “[Philip K. Dick] sees all the sparkling—and terrifying—possibilities . . . that other authors shy away from.”—Rolling Stone
Low Town: A Novel
Follow up novel here
Drug dealers, hustlers, brothels, dirty politics, corrupt cops . . . and sorcery. Welcome to Low Town.
In the forgotten back alleys and flophouses that lie in the shadows of Rigus, the finest city of the Thirteen Lands, you will find Low Town. It is an ugly place, and its champion is an ugly man. Disgraced intelligence agent. Forgotten war hero. Independent drug dealer. After a fall from grace five years ago, a man known as the Warden leads a life of crime, addicted to cheap violence and expensive drugs. Every day is a constant hustle to find new customers and protect his turf from low-life competition like Tancred the Harelip and Ling Chi, the enigmatic crime lord of the heathens.
The Warden’s life of drugged iniquity is shaken by his discovery of a murdered child down a dead-end street . . . setting him on a collision course with the life he left behind. As a former agent with Black House—the secret police—he knows better than anyone that murder in Low Town is an everyday thing, the kind of crime that doesn’t get investigated. To protect his home, he will take part in a dangerous game of deception between underworld bosses and the psychotic head of Black House, but the truth is far darker than he imagines. In Low Town, no one can be trusted.
Daniel Polansky has crafted a thrilling novel steeped in noir sensibilities and relentless action, and set in an original world of stunning imagination, leading to a gut-wrenching, unforeseeable conclusion. Low Town is an attention-grabbing debut that will leave readers riveted . . . and hungry for more.
Necropolis
In a world where death is a thing of the past, how far would you go to solve your own murder? NYPD detective Paul Donner and his wife Elise were killed in a hold-up gone wrong. Fifty years later, Donner is back: revived courtesy of the Shift.
Supposedly the unintended side-effect of a botched biological terrorist attack and carried by a ubiquitous retrovirus, the Shift jump-starts dead DNA and throws the life cycle into reverse, so reborns like Donner must cope with the fact that they are not only slowly youthing toward a new childhood, but have become New York’s most hated minority. With New York quarantined beneath a geodesic blister, government and basic services have been outsourced by a private security corporation named Surazal. Reborns and infected norms alike struggle in a counterclockwise world, where everybody gets younger, you can see Elvis every night at Radio City Music Hall, and nobody has any hope of ever seeing the outside world.
Lost in a sea of nostalgia, NYC becomes an inwardly focused schizophrenic culture of alienation and loss. In this backwards-looking culture where only some of the dead have returned, Donner is haunted by revivers guilt, and becomes obsessed with finding out who killed him and his non-returning wife. Little does he know, strange forces have already begun tracking him.
Donner isn’t the only one obsessed with the past.